"They think I'm being bad and I think I'm being myself and they said myself is crazy and destructive of myself because they don't know who I am, the me that they say I'm destroying, is them. I want to destroy them in me, yes. I don't want them in me." "If they say you're bad the only way to be good is by saying that you're bad so therefore you're good to be bad because at least you admit that you're bad. But if they say you're bad and you don't agree that you're bad then you're bad to be bad and it's really bad h-a-h-a-h-a."这部电影将需细细展现的部分放在了坦克内部这样一个狭窄却明晰的场景里，不是执着于一般意义上战争片想极力渲染的淋漓尽致的战斗场面，而是力图鲜明地刻画坦克内四个性格鲜明的士兵形象，从其真实的自身感悟切入并以此为基础展开之后的描述.     《祝你好运，里奥·格兰德》电影中的士兵表现得是知晓自己被卷入一场阴谋后极力逃生的挣扎，但是我觉得很难去明确定义他们的行为，很难去说是成长亦或不是.     当犹犹豫豫的炮手终于开炮时，可作跨过心理障碍实现自身成长之解，也可作被战争同化失去初心之解.     战争片所要体现的“反战”思想处理得还是很到位的，并且对他们最后做出的行为，我认为都是可以理解的，是与电影前面铺垫有所照应不显突兀的.     毕竟在战争年代，“杀人”这个行为本身就很难去评析，能确定的就是要根据自身所处情境做出让自己满意，让自己不后悔的决定吧.     

一部关于爱、欲、和满足的喜剧片.     艾玛·汤普森饰演的55岁寡妇Nancy Stokes迫切渴望冒险、人类联结和性，渴望她人生中第一次很棒的性爱.     丈夫Robert给了她住宅、家庭和看起来像样的生活，然而他已经走了，如今Nancy觉得“连有些修女都比我性生活更 丰富”，她一向是行动派，且当过老师，相当有条理，于是她马上开始实施计划：做了一些研究之后，Nancy雇佣了一个20岁出头的性心理治疗师Leo Grande，准备重启对自己身体的认识.